Nashville.com’s favourite “Star Bar” continues to face out by reserving not simply cowl bands, however real-deal unique expertise. And developing, they’re proving that time as soon as once more with a really particular night time: Gabe Dixon is ready to take the stage.
I found Dixon means again in 2002 along with his “On a Rolling Ball” album and it’s nonetheless considered one of my favourite albums of all time. Born and raised in Tennessee and now a cornerstone of the Nashville music neighborhood, Gabe Dixon is a grasp of his craft — a singer, songwriter, and multi-instrumentalist whose music has discovered its means into hearts, hit data, and Hollywood soundtracks. His upcoming present at Chief’s on Broadway guarantees a night of deeply private tunes, musical mastery, and the sort of connection solely Dixon can create between a piano and a crowd.
Dixon has been writing and performing since 1999. His songs have been coated by artists like Garth Brooks, Parachute, Ben Rector, and Erin McCarley, and his music has been featured in main movies (The Proposal) and hit TV exhibits (Nashville, Gray’s Anatomy, The Vampire Diaries, Parks & Recreation).
Whereas his solo profession continues to thrive, Gabe’s résumé reads like a who’s who of musical legends. He’s recorded and toured with Paul McCartney, Alison Krauss & Union Station, Supertramp, Loggins & Messina, and O.A.R. — to not point out his high-profile function as keyboardist and vocalist with the Tedeschi Vans Band since 2019. He performed a key function within the group’s critically acclaimed four-album opus I Am The Moon, and was featured all through the epic “Wheels Of Soul” tour alongside Los Lobos.
Nonetheless, it’s Gabe Dixon’s personal music — uncooked, reflective, and actual — that continues to shine brightest. So whether or not you’re a longtime fan or simply within the temper for one thing that goes deeper than the same old Broadway bar fare, make plans to be at Chief’s on Broadway, July twelfth for Gabe Dixon. It’s a night that proves why Chief’s isn’t simply one other honky-tonk — it’s the place Nashville’s stars come to shine earlier than they hit the massive time (or in Dixon’s case, whereas they’re already there).
–Jerry Holthouse
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