Nashville-based “storage nation” artist Aubrie Sellers is again with a hauntingly catchy new single, “Villain of the Week,” out now through Informal Data | Carnival Data. The observe — a fiery, guitar-driven pop-rock anthem — takes purpose on the darkly comedian frustrations of recent relationship apps, pairing Sellers’ razor-sharp lyrics with glitchy co-production from Ethan Ballinger. (watch the visualizer above.)
“It feels such as you’re all the time dealing with a brand new minor villain, however by no means discovering somebody who stays,” Sellers explains — a becoming reflection for the Halloween season, as she calls out the ghosts, ghouls, and emotionally unavailable who hang-out us all.
Sellers co-wrote the track with Park Chisolm, drawing inspiration from previous Westerns and 80s and 90s TV reveals that launched a brand new “villain” every week. The result’s a observe that balances moody, fuzzed-out guitars along with her signature crystalline vocals and biting storytelling — a style of a daring new period for the Nashville artist.
To say she comes from a musical household could be an below assertion, she is the daughter of singer/songwriters Jason Sellers and Lee Ann Womack; and the stepdaughter of music producer Frank Liddell. Since her acclaimed 2016 debut New Metropolis Blues — named one in all Rolling Stone Nation’s Albums of the 12 months — Sellers has carved out a particular house within the business. Dubbed the queen of “storage nation,” she’s carried out on The Late Present with Stephen Colbert and Seth Meyers, toured with Miranda Lambert and Chris Stapleton, and earned two Americana Awards nominations. Her 2020 album Far From Residence and her collaboration with Jade Jackson(Jackson+Sellers) additional cemented her fame as one in all Nashville’s most fearless voices, with important reward from NPR Recent Air, ELLE, and The New York Instances.
At the moment opening choose dates for Parker McCollum, Sellers continues to evolve her sound — darker, extra cinematic, and unapologetically trustworthy. With “Villain of the Week,” she proves as soon as once more that she’s not afraid to dig into the messy, human aspect of affection — and make it sound completely electrical.
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