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Wednesday, February 11, 2026

Mac McAnally Makes A Memorable Night At The Ryman


Mac McAnally’s magical maintain on his viewers was on full show on the Ryman Auditorium on Friday. Greeted with a standing ovation as he walked onstage with no introduction, it was clear the followers had been there to see the multi-hyphenate songwriter/musician/producer and particularly artist in one in all America’s most historic rooms. No frills, simply 2,500 souls in awe of a young and gifted steward of music.

Mac McAnally started by introducing much-awarded percussionist and fellow Coral Reefer, Eric Darken, who introduced an meeting of pots, pans and different gadgets you wouldn’t count on to see on a drum package within the Ryman – or wherever else. Their chemistry evoked one other of McAnally’s closest companions and greatest buddy, Jimmy Buffett. Buffett, who by no means acquired to headline on the Ryman, regardless of it being a longtime want, was there in spirit in addition to actually with McAnally putting Buffett’s microphone and guitar heart stage.

The late songwriter/raconteur and 2024 Rock & Roll Corridor of Fame inductee’s presence may very well be felt within the room the whole night. McAnally started his set with “Son of A Son of A Sailor” in Jimmy’s honor. The night then intertwined McAnally basic solo favorites, Buffett songs that held particular recollections, and hit songs McAnally has written via the years for different artists. Not solely did McAnally showcase his signature guitar work, which earned the soft-spoken Mississipian 10 CMA Musician of the Yr Awards, however he sat at a grand piano for mashups of “Over The Rainbow” and “Grapefruit – Juicy Fruit” and Alabama’s “Previous Flame,” Shenandoah’s “Two Dozen Roses,” and Sawyer Brown’s “Thank God For You,” – all created from the genius of Mac’s penstroke.

Mid-show, Mac launched buddy and fellow icon Kenny Chesney, who arrived to thunderous cheers. They launched into “Down The Street,” the duet that took McAnally and Chesney to the highest of the charts in 2009. After reminiscing a couple of wet night in Key West at Buffett’s home the place they wrote “Island Rain,” the pair carried out that alongside a touching tackle “Come Monday,” which they’d carried out with James Taylor at Buffett’s Rock Corridor induction. They had been joined by Coral Reefer lead guitarist Peter Mayer for the second, who stayed on stage to carry out the “sequel” to that track, which McAnally and Buffett wrote collectively, a wonderful track referred to as “Coast of Carolina” for Buffett’s 2004 License to Chill file.

Mac McAnally mirrored on the night, saying, “Friday evening on the Ryman was a singular spotlight in a very blessed life. Surrounded by household and heroes and associates and a magical constructing full of parents who noticed match to take a position effort and time to be there and share it with me. I can’t sufficiently thank all who got here, labored, performed and allowed it to be. However I’ll by no means cease attempting… Couldn’t have occurred with out Jimmy Buffett. So grateful for Kenny Chesney, Peter Mayer and the pressure of nature that’s Eric Darken. Nice sound by Duane Allen and lights by Chaz Martin. Exhausting work by everybody at TKO and United Expertise. Nearly as good a time as I’ve ever had. I’m overwhelmed and clearly don’t understand how and when to close up about it! Because of all.”

“It was pure pleasure up there on stage on the Ryman with Mac. Sharing tales about writing songs in Key West at Jimmy’s home. I didn’t understand how a lot I wanted that. It was simply joyful to be up there taking part in music with Mac and the blokes,” mentioned Kenny Chesney.

The night ended with Chesney returning to carry out the McAnally-penned Quantity One “Again The place I Come From,” in addition to pay one final tribute to Buffett with “A Pirate Seems to be At Forty.” On a monumental evening within the legendary Ryman Auditorium, Mac McAnally made it really feel like church, love, laughter and household – precisely what a bucket listing second in a offered out temple of music ought to be.

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